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The Goldsworthy Collection
It Is the People Not the Glass
Goldy delighted in showing her glass. The Roadrunner Depression Glass and Pottery Club saw her collection in 1996 before she left Albuquerque and as soon as she was set up in Green Valley south of Tucson, the American Association of University Women came calling.
October 1, 1996

Greetings -
If you didn't make it to the last meeting, you missed an amazing display of Goldie' s ruby stained glass. Unfortunately, we will probably not get to see this fabulous collection again, as Goldie is moving out of the state. Many thanks to Goldie for her hospitality and to JoAnn Green and Ellie Mason for the delicious refreshments.
Thanks also to Kathy Erdman, Jean Rosenberg, Joyce Scott and June Burke for the beautiful job they did setting up the State Fair display. I hope everyone got the chance to see the display and enjoy the Fair.
Marsha Lucas won the door prize at the last meeting, which is to be provided by Jason Hartley.
The program for the October meeting (October 9) will be a Halloween theme - bring your orange and/or black glass has generously volunteered to bring the refreshments.

Jennifer Rucker
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Willi and I were just starting to get serious about building our collection when Elaine Henderson of EAPG in Albuquerque called to tell me that a member of her local glass club was thinking of selling her collection. Time and phone calls passed and Eason Eige, Willi and I along with three dogs ended up in Albuquerque. Goldy wanted to know if we passed muster so a dinner meeting on neutral ground was held with all hands, including Patricia Felix, Goldy’s daughter, and Elaine Henderson. I guess we did not spill too much food and knew something about glass because we passed Goldy’s stern eye. We were invited to see the collection.
RUBY STAINED PATTERN GLASS
Our thanks to Ruth Goldsworthy for inviting us to
Her home to see her wonderful collection
One aid to the identification of anything is a common understanding of the meaning of terms used in descriptions. There is great confusion in what to call glass that is fundamentally clear, but has a surface red color added to decorative detail. The terms which need clarification, are "Ruby Glass," "Ruby Flashed Glass" and "Ruby Stained Glass."
Ruby Glass is properly used to describe glass that is made of a comparatively expensive gold solution formula and is red in color all the way through, i.e., a solid color.
Ruby Flashed is the proper term for a less expensive method of making a piece of glass appears to have been made of a solid color. A small quantity of ruby colored glass is blown slightly, cooled a bit, then dipped into a batch of clear molten glass. The desired item is then made. This gives the finished article a thin colored coat. A mere film of color in relation to the amount of clear glass used.
Ruby Stained is the name for the least expensive way of obtaining red color on a piece of glass. The item is fashioned in the usual way from clear molten glass, usually pressed in one of several thousand patterns. The staining material, usually ruby red in color was painted onto the annealed glass with a brush wherever it was desired for decorative effect. It was then fired on for permanency. This enabled one factory to produce the glass items and to sell them to various decorating companies where different portions of the same pattern could be stained. Ruby Stained glass was a late Victorian introduction and frequently was used to decorate souvenir pieces, etched with place names, people's names and dates. It is enlightening to note that most of this production came from the fabulous Pittsburgh area during the 1880's and 1890's.
Note: The above information is from Richard Carter Barret's book, Popular American Ruby Stained Pattern Glass.
This is my understanding of how Ruby Overlay was manufactured. A small quantity of clear glass is blown slightly, cooled a bit and then dipped into a bath of ruby molten glass and the desired item is then made. When removed from the mold, the artisans then cut the design through the ruby layer into the clear layer of glass. It is then ruby cut glass.
How did I get started collecting Ruby Flashed glass? I knew that my husband, Fred, had always liked red glass, but I never knew why. In 1965, we went to Twin Falls, Idaho to put Fred's bachelor uncle in a home for the elderly and cleaned out the small house he had lived in for 40 years. We were there for 15 days doing slave labor, but on the 14th day, I saw 2 boxes on a shelf in the coal shed. Fred got them down and I unpacked them - and behold!! - There were 5 pieces of ruby stained glass: Three toothpick holders, a miniature pitcher and a clover-shaped pin tray. What happy memories they brought back. They had belonged to Fred's Grandmother Goldsworthy. She had died before he was 5 years old. He started the collection by adding to his grandmother's pieces.
Fred died suddenly in 1974 and after awhile, I continued to collect it until 1989. I feared I wouldn't have space for more, and I wasn't able to go to antique shows. I've bought a few pieces since then, but very few.
Prepared for the AAUW Antiques Study Group February 26, 1999 |
She had a large living room filled with interesting things including some magnificent Navajo rugs and indian artifacts, but not much ruby stained glass. It was about this time that I began to realize that Goldy had a strong sense of humor, she was a proud lady but quietly self-deprecating. We played “after you Alphonse” about who was going to ask first about the “missing glass” that we had come to see. At some point Goldy casually walked over to a closet door, opened it, turned on some lights inside and told us to take a look. What an amazing sight! She had taken a walk-in closet had shelves built and there was the collection. She delighted in our reactions.
The walk-in closet was relatively new. For many years after Fred passed she purchased ruby stain but left it in the spare bedroom in bags as she had brought it home. After many years of telling everyone that she knew what she had in the mounting pile of bags and packages in the bedroom and would get it out some day, she finally rebuilt the inside of her walk-in closet and got the collection out. “Some day” had arrived.
We talked about acquiring the collection but it did not happen. She took it along when she moved to the Tucson area. I thought that she really wanted to keep the memories but was initially daunted by the mechanics of moving some 800 pieces of glass. I realized that I was right when I visited Goldy and Patricia in Green Valley after the move. An atrium in the center of the house was ideal to convert into a large showcase and that is what happened. Of course there was more glass than space and true to form a closet was converted.
Carla, Willi and I, with the two puppies, spent several days in February with Goldy. We had a good visit. She was her usual testy, sharp, proud and humorous self as we talked of glass and life and people. We agreed that God had a sense of humor given that this soon to be 65 year old was raising a two year old. She was physically gone three months later. I am sure her sense of humor fits right into her present situation.
I found the vase with “Goldy” on it in Tampa a number of years ago. Happily Patricia is keeping it.
The Arizona Closet
AAUW Meeting |
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Goldy's Roses in the Desert |
Goldy & Patricia |
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Goodbye Goldy, and Thanks |
Back to Selected Ruby Stain Pieces | Index | Go to The Collection
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2. The BeGinning
3. Selected Pieces
4. It's The people Not the Glass
5. The Collection
The Glass House

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